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Reawakening the Forgotten: The World Behind At Land

What does a scent remember? At Land is our answer, a quiet meditation on driftwood washed ashore, the salt-laced breath of ocean wind, and the silence that follows a storm.


With seaweed, oud, and juniper at its helm, the fragrance moves through citrus groves and into the smoky stillness of incense and tobacco, grounded in vetiver, frankincense, and calone. It is a tide, a memory, a return.


A Visual Language from the Past


To represent this fragrance visually, we turned not to trends, but to time itself.


Each image we use for At Land comes from the public domain, artworks created more than 100 years ago, now quietly preserved in digital archives. From Eugen Ransonnet-Villez’s submersible oil paintings to Howard Pyle’s sirens, botanical studies by Martin Gerlach, and marine engravings from Albertus Seba’s Cabinet of Curiosities, these pieces once illustrated science, longing, and myth.


We re-appreciate them not only to tell our story, but to honor theirs.



Perfume as a Vessel


This is not nostalgia, it’s reverence. A reawakening of beauty that was never meant to vanish.


We believe fragrance can be a vessel for forgotten voices, olfactory and visual alike. At Land is one of those vessels.



Callithamnion spongiosum encircles a plea from Poseidon, at the very start of the specimen section in Charles F. Durant’s Algae and Corallines of the Bay & Harbor of New York (1850)
Callithamnion spongiosum encircles a plea from Poseidon, at the very start of the specimen section in Charles F. Durant’s Algae and Corallines of the Bay & Harbor of New York (1850)

 
 
 

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